Sylvia Bawa

Associate Professor
Office: Vari Hall, 2144
Phone: (416)736-2100 Ext: 60355
Email: bawa@yorku.ca
Primary website: sylviabawa.com
Secondary website: @Essenbi
Media Requests Welcome
I do research on the interconnections of globalization, human/women's rights, human-non-human connections, and critical development in postcolonial contexts. I am interested in the mobilizing impact of human rights; how discourses of rights, self-determination and development evolve and are shaped by global events, new technologies and opportunities. For instance, is Afrofuturism a form of self-determination within third generation human rights?
Degrees
Ph.D. , Queen's UniversityMA. , Brock University
B.A.(First Class Honours)., University of Ghana
Appointments
Faculty of Graduate StudiesProfessional Leadership
PI and Co-Investigator on SSHRC PDGs/CIHR and NRRF Exploration Grants
Director, Board of the Canadian Federation of the Humanities and Social Sciences
Director, Resource Centre for Public Sociology
Editorial Board Member, Contemporary Journal of African Studies (Open-Access Journal)
Member, Editorial Team. Studies in Social Justice (Open-Access Journal)
Community Contributions
Okafor, O.; Bawa, S & Effoduh, J. (2021) Media Production, in conjunction with Nollywood,
Help! Dissemination project from SSHRC Engage Grant on Human Rights Action Plan
https://e-cassare.org/#
Okafor, O.; Bawa, S & Effoduh, J. (2021) Media Production in conjunction with Nollywood. A
Time to Live. Dissemination project from SSHRC Grant
https://e-cassare.org/#
Bawa, S. (August, 2022). Ghana Canadian Association of Ontario, Women’s Conference. Toronto
Convenor, Pan-African RoundTable. From Sankara, Nkrumah to Winnie
Mandela: Decolonization to Liberation, Who Speaks the African Dream? York University.
Research Interests
Current Research Projects
-
Summary:
The project investigates afrofuturism as genre, and as a project in future imagineering. Investigating questions around self-determination in an age of Artificial Intelligence, ethics of decolonial reclamation projects.
Description:Black Panther, a Hollywood Marvel Comics movie released in 2018, marked a significant moment in Afrofuturism on the global stage. While novelists, artists, creatives, and musicians have long engaged the futuristic praxis in their work, critically acclaimed cinematic success such as Black Panther, and Wakanda Forever, can be defined as the crowning moment of these discourses. For instance, in addition to a symbolic and positive representation of African artistry, the socio-economic, political, and cultural capital it provided were unparalleled. These movies, novels and art contribute significantly to new/different conversations about Africa and its diasporas. While this genre primarily focuses on imagining futures and possibilities of the future, it is not clear how these differ from other mainstream futuristic projects. Furthermore, what is sometimes read as futuristic in the genre is in fact mundane, even if contextualized within the realm of spirituality and the cosmos in African culture. This poses an important question: is the future imagineering in this genre merely a project of reclamation? This DARE project will explore this question through the following sub-questions: a) what constitutes (qualifies as) afrofuturism and who are the main contributors to the field b) What are the dominant and recurring themes in literature on Afrofuturism c) Is Afrofuturism a project in knowledge reclamation?
Start Date:
- Month: Jun Year: 2024
Current Courses
Term | Course Number | Section | Title | Type |
---|---|---|---|---|
Winter 2025 | GS/SOCI6060 3.0 | M | Qualitative Methods Of Research | SEMR |
Fall/Winter 2024 | AP/SOCI2050 6.0 | A | Social Structure and Social Change | LECT |
I do research on the interconnections of globalization, human/women's rights, human-non-human connections, and critical development in postcolonial contexts. I am interested in the mobilizing impact of human rights; how discourses of rights, self-determination and development evolve and are shaped by global events, new technologies and opportunities. For instance, is Afrofuturism a form of self-determination within third generation human rights?
Degrees
Ph.D. , Queen's UniversityMA. , Brock University
B.A.(First Class Honours)., University of Ghana
Appointments
Faculty of Graduate StudiesProfessional Leadership
PI and Co-Investigator on SSHRC PDGs/CIHR and NRRF Exploration Grants
Director, Board of the Canadian Federation of the Humanities and Social Sciences
Director, Resource Centre for Public Sociology
Editorial Board Member, Contemporary Journal of African Studies (Open-Access Journal)
Member, Editorial Team. Studies in Social Justice (Open-Access Journal)
Community Contributions
Okafor, O.; Bawa, S & Effoduh, J. (2021) Media Production, in conjunction with Nollywood,
Help! Dissemination project from SSHRC Engage Grant on Human Rights Action Plan
https://e-cassare.org/#
Okafor, O.; Bawa, S & Effoduh, J. (2021) Media Production in conjunction with Nollywood. A
Time to Live. Dissemination project from SSHRC Grant
https://e-cassare.org/#
Bawa, S. (August, 2022). Ghana Canadian Association of Ontario, Women’s Conference. Toronto
Convenor, Pan-African RoundTable. From Sankara, Nkrumah to Winnie
Mandela: Decolonization to Liberation, Who Speaks the African Dream? York University.
Research Interests
Current Research Projects
-
Summary:
The project investigates afrofuturism as genre, and as a project in future imagineering. Investigating questions around self-determination in an age of Artificial Intelligence, ethics of decolonial reclamation projects.
Description:Black Panther, a Hollywood Marvel Comics movie released in 2018, marked a significant moment in Afrofuturism on the global stage. While novelists, artists, creatives, and musicians have long engaged the futuristic praxis in their work, critically acclaimed cinematic success such as Black Panther, and Wakanda Forever, can be defined as the crowning moment of these discourses. For instance, in addition to a symbolic and positive representation of African artistry, the socio-economic, political, and cultural capital it provided were unparalleled. These movies, novels and art contribute significantly to new/different conversations about Africa and its diasporas. While this genre primarily focuses on imagining futures and possibilities of the future, it is not clear how these differ from other mainstream futuristic projects. Furthermore, what is sometimes read as futuristic in the genre is in fact mundane, even if contextualized within the realm of spirituality and the cosmos in African culture. This poses an important question: is the future imagineering in this genre merely a project of reclamation? This DARE project will explore this question through the following sub-questions: a) what constitutes (qualifies as) afrofuturism and who are the main contributors to the field b) What are the dominant and recurring themes in literature on Afrofuturism c) Is Afrofuturism a project in knowledge reclamation?
Project Type: FundedRole: PI
Start Date:
- Month: Jun Year: 2024
All Publications
Current Courses
Term | Course Number | Section | Title | Type |
---|---|---|---|---|
Winter 2025 | GS/SOCI6060 3.0 | M | Qualitative Methods Of Research | SEMR |
Fall/Winter 2024 | AP/SOCI2050 6.0 | A | Social Structure and Social Change | LECT |